New Release alert – Lady Estrid – a novel of eleventh-century Denmark by M J Porter

Today (29th October) sees the release of Lady Estrid – a novel of eleventh-century Denmark. It’s not an addition to the Earls of Mercia series, but readers will certainly recognise many of the main players, even if their story is being told from a different point of view.

I’m going to be taking Lady Estrid on a blog tour, starting next week (November 2nd), and there will be some exciting excerpts, author interviews and inspiration posts, so look out for the posts.

Right now, I’m going to share the blurb with you.

“Daughter, Sister, Duchess, Aunt. 
Queen.

United by blood and marriage. Divided by seas. Torn apart by ambition.

Lady Estrid Sweinsdottir has returned from Kiev, her first husband dead after only a few months of marriage. Her future will be decided by her father, King Swein of Denmark, or will it?

A member of the ruling House of Gorm, Estrid might not be eligible to rule, as her older two brothers, but her worth is in more than her ability to marry and provide heirs for a husband, for her loyalty is beyond question. 

With a family as divided and powerful as hers, stretching from England to Norway to the land of the Svear, she must do all she can to ensure Denmark remains under the control of her father’s descendants, no matter the raging seas and boiling ambition that threatens to imperil all.”

Lady Estrid is available as an ebook and a paperback, and I hope you’ll enjoy it.

UK

US

AUS

CA

(This page contains some Amazon affiliate links.)

Book Review – A Pretty Deceit by Anna Lee Huber – historical murder mystery – recommended

Here’s the blurb;

In the aftermath of the Great War, the line between friend and foe may be hard to discern, even for indomitable former Secret Service agent Verity Kent, in award-winning author Anna Lee Huber’s thrilling mystery series. 
 
Peacetime has brought little respite for Verity Kent. Intrigue still abounds, even within her own family. As a favor to her father, Verity agrees to visit his sister in Wiltshire. Her once prosperous aunt has fallen on difficult times and is considering selling their estate. But there are strange goings-on at the manor, including missing servants, possible heirloom forgeries, and suspicious rumors—all leading to the discovery of a dead body on the grounds.
 
While Verity and her husband, Sidney, investigate this new mystery, they are also on the trail of an old adversary—the shadowy and lethal Lord Ardmore. At every turn, the suspected traitor seems to be one step ahead of them. And even when their dear friend Max, the Earl of Ryde, stumbles upon a code hidden among his late father’s effects that may reveal the truth about Ardmore, Verity wonders if they are really the hunters—or the hunted . . .

A Pretty Deceit is an excellent addition to the series by Anna Lee Huber. I didn’t realise when I started reading it, that I’d already read Book 3, but I soon appreciated that I ‘knew’ the characters. Then came the search on Goodreads, and then it all made a great deal more sense:)

Verity Kent is once more embroiled in a new mystery and also still pursuing an old one from Book 3, the two threads merging together expertly to give an engrossing and deliciously complicated narrative, that ensures all the old favourites make an appearance at some point throughout the book.

It was a thoroughly enjoyable and engrossing read. In fact, as soon as I’d finished it, I went on to read Book 1, and plan on reading Book 2 as well. If you enjoy a well constructed and deeply rooted 1920’s (well, just as about) murder mystery, this is definitely a great series to read.

Thank you to Netgalley and the Publisher for my review copy.

A Pretty Deceit was released on 6th October, and is available here.  

You can connect with the author here: http://www.annaleehuber.com

(This post contains some Amazon Affiliate links)

Stuart Rudge, author of Rise of a Champion and Blood Feud, joins me for a look at building Islamic Zaragoza

Well, this is a first. Today, I welcome Stuart Rudge to my blog. He’s going to tell us all about his research for his new book, Blood Feud, Legend of the Cid Book 2, available now. So, I hand it over to Stuart and he’s going to tell us about building Islamic Zaragoza, which features in his new book.

Research can be boring and tedious – or, it can be interesting and engrossing. When I was researching the Islamic city of Zaragoza for my latest novel, Blood Feud, I found myself leaning in the camp of the latter. The more I was looking in to what medieval Islamic cities looked like and how they functioned, the more I was looking forward to describing it in my novel. Today, I am going to show you how I researched Zaragoza, and how it might have looked in the days of El Cid. Let’s go on a little tour.

I will start with the name. Before the Romans came to Spain, it was a village named Salduie, and then the Romans founded a colony for retired veterans and named it Caesaraugusta. After the Islamic invasion and conquest, it was renamed Saraqusta, which eventually evolved in to the modern name, Zaragoza. As I like to have historically authentic names to my novels, I have plumbed for the Islamic version of the name, like I have done with all of the various taifa kingdoms in the same period (e.g. Toledo is Tulaytula, Valencia is Balansiya, etc).

Below is a screenshot from Google Maps of the centre of modern Zaragoza, and includes some of the key features of the Islamic settlement. The orange lines indicate the approximate outline of the walls built by the Moors, along with the site of the Aljaferia palace, and La Zuda palace, which were key landmarks of the city in the eleventh century.

Estimated site of Islamic Saraqust

The Aljaferia

The Aljaferia palace is a unique building, as it is one of the only complete structures standing today which dates to the taifa period of Spanish history. Dating to the eleventh century, the palace was named “Palace of the Joy” by amir al-Muqtadir, and he held his court and greeted his embassies in his “Golden Hall” as he described it. The modern interior is largely different to what the Islamic amirs would have walked through, as the city was conquered by the kingdom of Aragon at the beginning of the twelfth century, and over time the Christian monarchs converted it to suit their tastes, but we do have examples of friezes from the eleventh century, and the columns and archways give us an indication of Islamic architectural and artistic styles from the period, as seen below. 

https://upload.wikimedia.org/wikipedia/commons/thumb/7/72/La_Aljafer%C3%ADa_-_Palacio_taifa_-_Detalle_04.JPG/220px-La_Aljafer%C3%ADa_-_Palacio_taifa_-_Detalle_04.JPG
Column capitals and yeseria, c. eleventh century.
Images: Wikipedia

In its zenith it would have been a place of wonder and beauty, a tranquil palace in the centre of a neigh impregnable fortress just outside of the main city. As the building was being renovated during the latter half of the eleventh century, the only part of the citadel which the story of Blood Feud takes part in is the Troubadour tower, which preceded the citadel by around two hundred years, being part of an earlier fortification which was incorporated in to the Aljaferia palace.   

Aljafería Palace
Frontal image of the Aljaferia palace, with the Troubadour Palace on the right
Image: Wikipedia

La Zuda Palace

Before the amir of Zaragoza moved his court to the Aljaferia palace, the governors of the city were housed in La Zuda palace. Located in the old Roman part of the city, it was built adjacent to the corner section of the Roman wall next to the river, and like the Aljaferia, it was a similarly fortified and secure site.  

The current site is occupied by a sixteenth century tower and an eighteenth century church, which has replaced an earlier medieval church, and since none of the Islamic site remains, we have no definitive way of knowing what the palace would have looked like. In my view, the exterior wall would have looked something akin to that of the Aljaferia, albeit on a smaller scale. The interior is where imagination is needed. I took inspiration from the Aljaferia, the Alcazar of Seville and the Alhambra of Granada, three of the most famous Islamic palaces in Spain, thrown in with some artistic creativity, to create what I believe would have been a (roughly) accurate portrayal of what an Islamic palace would have looked like; a tranquil haven away from the hustle and bustle of the city. An example of what I came up with is below:

“Walking around the palace, I wondered why al-Muqtadir was moving his court to the citadel outside the walls. As we passed through the gate, we entered a courtyard with a long pool which stretched to a hall at the opposite end, with trees bearing peaches, lemons and pomegranates that ran parallel to the pool. Pointed archways with alternating black and white painted blocks were held up with thin black columns, and the walls were painted white with black script running down each wall. The colonnades around the periphery led to side rooms shielded with silken drapes, whilst bronze incense burners hung from the ceiling, filled the air with a perfumed scent intensified by the sweetness of the fruit trees. Court officials sauntered here and there as guards stood vigil with tall spears; each man wore the uniform of pale yellow favoured by the amir. There was relative silence within the palace save for the occasional chatter which echoed in the corridors, and made it a tranquil haven away from the commotion of the city.

            Idris led us across to the opposite side of the courtyard and through to a large hall, and here the decoration was more elaborate. The walls bore intricate patterns painted in vibrant blues, reds and yellows, and it was one of the most beautiful things I had ever seen. I marvelled and let my jaw hang slack, for something so striking was rare in Castile and I could have lingered all day to drink it in. Fine bronze statues of stags lined the walls too, and the domed ceiling was of smooth, dark stone studded with small pieces of coloured glass, so it resembled the stars twinkling in the night sky. The perfumed scent intensified, and the air was filled with the sound of a man uttering what seemed like poetry to an audience.”    

The Roman City

By the eleventh century, the shell of the old Roman city of Caesaraugusta would still have been intact. The fact that part of the Roman walls still stand suggest they would have stood in some capacity in the Islamic period. We know that some parts still stood, as they do today, yet other parts would have been stripped of their masonry to be used elsewhere in the city for new structures, and only the foundations would have remained to form some sort of border or barrier. As the Moors built another wall around their own city, there was no need to fully maintain the Roman fortifications.

Estimated site of Roman Caesaraugusta

Part of the section in Zaragoza involves Antonio tailing an old foe towards the wharfs, and again later on when he is trying to prevent his escape. In my research I found scant information relating to what the Islamic wharf would have looked like at the time, and had to improvise. But around a month or so before I was going to release the book, I stumbled across the website Zaragoza.es. On there, it had a little pamphlet with information about the Roman forum, the wharf and the walls. From the below picture, we can garner quite a lot of how things looked.

Artist impression of how the Roman forum and wharfs would have looked. 
Image: Zaragoza.es

The central structure and wide open space is the old Roman forum, which was the beating heart of the city, and the structure below it, facing the river, is a huge warehouse. The image below shows a reconstruction of what the warehouse may have looked like.

Cross section of old Roman warehouse.
Image from Zaragoza.es

We know from sources that the forum was all but gone by the eleventh century; given the close proximity to the river, it is likely the area was turned in to a large market. It is also likely that the warehouse was still functioning at this time, and was used as a place to store goods coming straight from the ships before being taken to market, or further afield on the back of mules. Given the length of the wharf and the amount of ships that could have been docked at any one time, it is not hard to imagine the area as a hive of activity, with men coming from all corners of Europe, Africa and the Middle East, bringing goods such as spices, leather and metal work, raw materials from far off lands, luxurious silks and linens, and even slaves.  

After conducting all of my research, I made myself a little map with all the different sites of the city, and where the Roman and Islamic parts of the city would be. Here is what I came up with:

https://stuartrudge.files.wordpress.com/2020/03/zaragoza-2.png?w=611
My interpretation of how Saraqusta would have looked

The characteristics of both the Roman city and the Muslim city would have been very different. Roman cities generally followed a set of rules; wide, straight streets, close to a water source, with strong walls and a central open space called a forum, where the principle administrative buildings were located. Muslim cities tended to be more compact, with narrow, winding streets, branching off to cul-de-sacs of homes for the inhabitants, with a large space reserved for markets, and various mosques scattered throughout the cities. One example for the differences was transport. The Romans used wagons to transport their goods, and so main streets had to be wide enough to accommodate two wagons travelling abreast, whereas Muslim traders used pack animals such as mules, and so the streets would not be as wide. In a warm climate like Spain, narrower streets coupled with white washed walls of the buildings made the cities feel cooler, darker and more compact.

I hope you have enjoyed this little tour around the medieval city of Zaragoza. For a more in depth look at how I envisioned it, pick up a copy of Blood Feud, the second book in the Legend of the Cid series, and explore the secrets of one of the great taifa states of the medieval period.

Blood Feud is available now, and can be picked up from Amazon here.

Book Review – The Queen’s Rival by Anne O’Brien – historical fiction – highly recommended

Here’s the blurb;

“One family united by blood. Torn apart by war…

England, 1459: Cecily Neville, Duchess of York, is embroiled in a plot to topple the weak-minded King Henry VI from the throne. But when the Yorkists are defeated at the Battle of Ludford Bridge, Cecily’s family flee and abandon her to face a marauding Lancastrian army on her own.

Cecily can only watch as her lands are torn apart and divided up by the ruthless Queen Marguerite. From the towers of her prison in Tonbridge Castle, the Duchess begins to spin a web of deceit – one that will eventually lead to treason, to the fall of King Henry VI, and to her eldest son being crowned King Edward IV.

This is a story of heartbreak, ambition and treachery, of one woman’s quest to claim the throne during the violence and tragedy of the Wars of the Roses.”

The Queen’s Rival is a stunning look at the ‘later’ life of Cecily Neville from 1459 until 1483. This is not a ‘quiet’ period of history and to cover the tumultuous events, the author adopts the technique of recording the letters of the main protagonists, either from the pen of Cecily or from those who write to her.

It does take a little while to get used to the technique, but the reader is quickly drawn into the story, not perhaps by the events taking place, but rather by the relationship between Cecily and her two sisters, Anne, Duchess of Buckingham and Katherine, Dowager Duchess of Norfolk. The words they share with each other are just what sisters might well say to each other, especially when they’re not likely to see each other soon.

More importantly, the sisters, while fiercely loyal to their Neville inheritance, are not of one mind about who should rule England, and who has the right to rule England. It highlights just how destructive the War of the Roses was, and is a genius way of quickly ensuring the reader appreciates that families were ripped apart by the protracted war.

This is the story of the women of the later 15th century. It’s their voices that we hear, as they try and come to terms with the rises and falls all of them experience. There are moments when the narrative is hard to read, either because you know what’s going to happen, or just because you really feel for Cecily and don’t want her to experience the tribulations than she does.

I am a huge fan of Anne O’Brien and the ‘forgotten’ women of the medieval period in England. While the author may stress that Cecily is not really a forgotten woman, I was not really aware of her before reading this book. The mother of two kings, the grandmother of future kings, and yet she could also have been queen herself. What an interesting life she led.

I highly recommend this book. And you can find my review here for A Tapestry of Treason.

Thank you to the publisher and Netgalley for my review copy.

The Queen’s Rival is released in ebook and hardbook on 3rd September 2020. (What a stunning cover.)

New Release Alert – The Last Horse (Book III in the Ninth Century Series) – 27th August 2020

It’s here, it’s here.

Here’s the blurb: (Spoilers – if you’ve not read The Last King and The Last Warrior.)

“The Raiders have been routed from Torksey, dead, or escaped.

Mercia lies broken but not beaten, her alliance with Wessex in tatters, her new king a warrior, not a ruler. And as he endures his coronation, as demanded by the bishops and ealdormen, there are stirrings from the east.

Coelwulf must again take to the trackways of Mercia. His destination, any place where the Raiders are trying to infiltrate the kingdom he’s fought so hard to keep whole, losing beloved friends in the process.

The year is AD874 and Mercia lies threatened. But Coelwulf, and his loyal warriors, have vowed to protect Mercia with their lives. They’re not about to stop now.”

Check out the reviews for The Last Horse on Goodreads.

If you’ve not yet delved into the series, then book 1, The Last King, is still 99p/99c (US)/ 99c (AU), 99c (CA) 0.99E (DE).

 

 

 

Book Review – Camelot by Giles Kristian – historical fiction

Here’s the blurb:

‘Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive.’

I’ve just reread the review I wrote for Lancelot nearly two years ago, and even I’m blushing about how effusive I was about it!

Camelot begins in much the same way. The lead character is a young man, about to take his vows to become a monk on the tor at Glastonbury when his world completely changes. The depiction of life on the tor is wonderfully evoked, and even if the author could have just written ‘bird’ ‘tree’ and ‘flower’ I’m sure many will appreciate the attention to detail. (I’ve never been ‘at one’ with nature).

The story starts quite slowly, drawing you back into the world of post-Roman/pre-Anglo-Saxon Britain with deft skill and then the story truly begins to take shape, secrets are revealed, and the ties to the previous book begin to be revealed.

I truly don’t want to give too much of the story away, but the ‘quest’, for that is what it becomes, takes readers from Cornwall to Anglesey and then further, the fear of what is to come in the future a palpable threat and even though we all know what’s going to happen, in the end (outside the scope of the book) I couldn’t help but hope that it would all be very, very different. The characters demand it from the reader.

And the end, is once more, where I have some small complaints about the story. It’s not that it doesn’t do what I want it to do, it’s just that the ending seems wrong for the story, but then, perhaps, it was always going to because that is the legend of Arthur.

But before that ending, the legends of Arthur and his knights are beautifully evoked, and I think a particular strength is the depiction of King Constantine, a bit part character, but immensely powerful and the very embodiment of a land falling to chaos all around him, and yet not prepared to give way and accept what seems to be the inevitable.

This book, once more, has its flaws, some scenes seem unnecessary, and others are skipped over too quickly, but it feels so true to the legends. There’s so much that’s only half-seen, hinted at but never actually known.

A welcome return to Giles Kristian’s ‘world’ first created in Lancelot, and, I think the author notes at the end of the novel explain a great deal. Now, give me the story of Arthur and his knights at the height of their prowess (please!).

Thank you to Netgalley and the publisher for my review copy.

Camelot is available from 14th May 2020 from here:

The Last King – New Release Alert

With my new ‘hero’ I’ve decided to forge a different path to previous books. I’ve done bloody and sweary before (Pagan Warrior and The Lady of Mercia’s Daughter) and I’ve done battles and politics (Brunanburh) but for The Last King I wanted something different; full-on action and adventure, in a historical setting, with a hero it’s impossible not to admire. If I’m going to tell the story of the ninth century in England, a period that most historical fiction readers will associate with Bernard Cornwell’s Uhtred, and most historians with Alfred, I needed a strong storyline and a character worthy of that storyline.

Luckily, there’s one such man. Enter King Coelwulf, the almost unknown and completely forgotten about King of Mercia. When I say unknown and forgotten about I mean completely that. If it is indeed the same historical character, Bernard Cornwell has poor old Coelwulf die during a feast with King Alfred and his wife, paving the way for Lord Æthelred (at least he does in The Last Kingdom).

This isn’t actually Bernard Cornwell’s fault. Until the coin find in 2015, no one thought a great deal of Coelwulf. His name appears in the Anglo-Saxon Chronicle but it’s far from in a complimentary way (For details of the coin find go here (The Ashmolean Museum – Watlington Hoard)). But he’s been in my thoughts ever since I wrote The Lady of Mercia’s Daughter in 2016, but he’d never fully formed, until, one day, he just did; not just bloody and sweary, but bloody, sweary and brutal, a man with skills to be admired, and a single-minded determination.

So, I give you Lord Coelwulf, proud Mercian and staunch warrior.

The Last King is available now, the sequel, The Last Warrior will be available from June.

 

Book Review – Camelot by Giles Kristian – historical fiction

Here’s the blurb:

‘Britain is a land riven by anarchy, slaughter, famine, filth and darkness. Its armies are destroyed, its heroes dead, or missing. Arthur and Lancelot fell in the last great battle and Merlin has not been these past ten years. But in a small, isolated monastery in the west of England, a young boy is suddenly plucked from his simple existence by the ageing warrior, Gawain. It seems he must come to terms with his legacy and fate as the son of the most celebrated yet most infamous of Arthur’s warriors: Lancelot. For this is the story of Galahad, Lancelot’s son – the reluctant warrior who dared to keep the dream of Camelot alive.’

I’ve just reread the review I wrote for Lancelot nearly two years ago, and even I’m blushing about how effusive I was about it!

Camelot begins in much the same way. The lead character is a young man, about to take his vows to become a monk on the tor at Glastonbury when his world completely changes. The depiction of life on the tor is wonderfully evoked, and even if the author could have just written ‘bird’ ‘tree’ and ‘flower’ I’m sure many will appreciate the attention to detail. (I’ve never been ‘at one’ with nature).

The story starts quite slowly, drawing you back into the world of post-Roman/pre-Anglo-Saxon Britain with deft skill and then the story truly begins to take shape, secrets are revealed, and the ties to the previous book begin to be revealed.

I truly don’t want to give too much of the story away, but the ‘quest’, for that is what it becomes, takes readers from Cornwall to Anglesey and then further, the fear of what is to come in the future a palpable threat and even though we all know what’s going to happen, in the end (outside the scope of the book) I couldn’t help but hope that it would all be very, very different. The characters demand it from the reader.

And the end, is once more, where I have some small complaints about the story. It’s not that it doesn’t do what I want it to do, it’s just that the ending seems wrong for the story, but then, perhaps, it was always going to because that is the legend of Arthur.

But before that ending, the legends of Arthur and his knights are beautifully evoked, and I think a particular strength is the depiction of King Constantine, a bit part character, but immensely powerful and the very embodiment of a land falling to chaos all around him, and yet not prepared to give way and accept what seems to be the inevitable.

This book, once more, has its flaws, some scenes seem unnecessary, and others are skipped over too quickly, but it feels so true to the legends. There’s so much that’s only half-seen, hinted at but never actually known.

A welcome return to Giles Kristian’s ‘world’ first created in Lancelot, and, I think the author notes at the end of the novel explain a great deal. Now, give me the story of Arthur and his knights at the height of their prowess (please!).

Thank you to Netgalley and the publisher for my review copy.

Camelot is available from 14th May 2020 from here: (the preorder is currently only £2.99 for kindle – wowsers – so I’m posting this before release date for everyone to take advantage of the offer)

‘The Reading’ End of Year Review

I’ve read many, many books this year. Some have been fab, some not so fab, and some have just filled a little niche that needed filling. I’ve also written, read and re-read a fair few of my own books this year. But I’m not going to include those in this.

When I look back, I see I’ve read many historical fiction books this year – the majority just historical fiction, but also a few that were historical who-dun-its. I’m a fan of Marple and Poirot, so this does make sense to me.

In fact, 24 of the 71 books I’ve read this year (thank you for keeping track Goodreads), have been historical (and a further 6 of those have been my own historical fiction books, so yes, historical fiction accounts for a great deal of my reading.)

Of those, here are my five favourites of the year. I’m not going to put them in any order, because I enjoyed them all for different reasons.

Anne O’Brien’s A Tapestry of Treason was one of the first books I read this year, and it was a wonderful read. Commodus by Simon Turney was another of the stand out books, as was The Last of the Romans by Derek Birks (which I’ve just discovered I didn’t review on my blog, so there’s a link to Goodreads), Sword of Kings by Bernard Cornwell and Wolf of Wessex by Matthew Harffy. I was lucky enough to get review copies of many of these books, although I took a chance on The Last of the Romans through Kindle Unlimited and was really pleased I did.

I also read some historical fiction that really didn’t appeal to me, in the end. I prefer historical fiction to be about ‘real’ people (I know their stories will be fictionalized) and told in an engaging and interesting way.

As to the historical mysteries I read, I’m going to highlight Silent Water by PK Adams, a fellow indie author, who takes the reader to Tudor Era Poland. It was fascinating.

As to those novels I read which took a historical era as their background, I thoroughly enjoyed The Dark Days Deceit by Alison Goodman – a sort of fantasy/historical mash-up that concluded the trilogy in a completely satisfactory way.  And The Body in the Garden by Katharine Schellman which isn’t released until next year, but which is an enjoyable who-dun-it. I’ll review it closer to the time.

I also read quite a bit of sci-fi this year, and here the standout book must be Skyward by Brandon Sanderson. I didn’t realise it was aimed at a Young Adult audience. I devoured it, even though I’ve tried Brandon Sanderon before and really didn’t enjoy his story (ducks for cover). I’m really looking forward to finding the time to read Book 2.

I’ve not read as much fantasy as normal this year. But, what I did read was well worth it. Here, I’m going to wax lyrical about Peter Newman. His series, The Deathless, inhabits such a weird and wonderful world that it completely absorbs me. If you’ve not read the first two books in the trilogy, then you’re in for a real treat. The Ruthless was released earlier this year, and I know the third part is due out next year. I’m keen to read it.

I also read all of Mark Lawrence’s four releases this year – Holy Sister concluded the Book of the Ancestor trilogy, and he also released The Impossible Times trilogy, through Amazon Publishing. These are probably still fantasy but in a 1980’s setting (unless they’re sci-fi). I enjoyed them all, but confess, the D and D setting of The Impossible Times trilogy was a bit trying at times. Still, the 1980s was perfectly encapsulated – like an episode of Stranger Things.

I’m also going to mention the John Gwynne book I read this year – A Time of Blood. Foolishly, it wasn’t the first in a series, but goodness me, it was gripping, and I’ve now got the first book to read!

I’ve also listened to my first audiobook, and while I found it great to walk to, I confess, I’m not sure audio is for me. If I’m writing myself I have music on, and because I normally walk to get away from writing, I don’t find listening to stories to be restful. But I do have a fully stocked Audible library so that might change.

While I’ve managed to read a great many books this year, I’ve now found my enthusiasm for ‘new’ waning a little and I’ve sought refuge in a few classic PERN novels, and for 2020, I plan on indulging in the Deverry books by Katharine Kerr in anticipation of the new book coming out in 2020. The books have all been released with fantastic new covers, and I might just have to treat myself to them all over again.

I’ve also not read as many non-fiction books this year as I might normally do. But I think that will change in 2020. I’ve got a great deal of research to do for future projects. Of those non-fiction books I have read, they’ve all been something I was interested in any way, and I’m going to mention Warrior and The Lost Heirs of the Medieval Crown. Both were very readable and well written.

I would like to thank Netgalley and also some very brave authors who’ve allowed me access to Advanced copies of their books throughout the year. It makes for much more varied reading!

 

‘My Writing’ End of Year Review 2019

Well, it’s been a busy year but I want to start by thanking all of my readers for continuing to read the books I write, for writing reviews and for interacting with me over on Twitter and via email. I really couldn’t do it without you!

And so to this year.

Well, it’s been a year of two halves. The beginning of 2019 saw me experimenting with a couple of fantasy books, The Innkeeper being released under a slightly different name, and the other secret project under an entirely new name.

I was also really slow to release anything new in the historical fiction genre. There was a good reason for this – I was crossing the timeline of two earlier books and I wanted to make sure the transition was smoother than I knew it was. So, the first two Earls of Mercia books have been comprehensively edited, fiddled with and generally made as good as I can make them without a complete rewrite. The Earl of Mercia’s Father and The Danish King’s Enemy are available in paperback. It’s to be hoped that these new editions will be available in ebook soon as well.

I needed to do this to continue the story of Lady Elfrida, first told in The First Queen of England trilogy, and continuing in The King’s Mother books. When I first wrote about Leofwine and Leofric, I had no idea that I would find myself writing about King Æthelred’s mother. It was fascinating to write the story of the late tenth century and early eleventh century from a different viewpoint. The Queen Dowager and Once A Queen were the first of my ‘new’ releases for the year.

I then turned my attention to a few of the fantastic women I’d discovered while writing about Lady Elfrida. Lady Eadgifu caught my attention because her life spans almost the entire period between The Lady of Mercia’s Daughter and the beginning of Lady Elfrida’s story. Kingmaker charts many of the events of tenth-century England, but The King’s Daughters took me to both East and West Frankia in the middle of the tenth century. It was a fascinating, if frustrating, experience.

I’ve also taken the opportunity to refresh another tenth-century project Brunanburh.

For NaNoWriMo, I’ve worked on another fantasy project which I hope to release early in 2020 and I’ve ended the year with a return to the world of the Earls of Mercia. Viking King was released on 24th December.

It’s been a busy and fascinating year, and I’m looking forward to 2020 and all the new journeys I’m going to be able to take.

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